Is a set movement-material needed as a starting point to work on improvisation?

Talk with Thomas McManus about his work as ballettmaster for William Forsythe. (Berlin, September 2013)

Can you explain why and how you use certain words to describe specific movements?

Talk with Thomas McManus about his work as ballettmaster for William Forsythe. (Berlin, September 2013)

When teaching Forsythe Improvisation Technologies, do you stick with the set principles or do you further develop it during the process?

Talk with Thomas McManus about his work as ballettmaster for William Forsythe. (Berlin, September 2013)

What kind of difficulties do you encounter while teaching Forsythe principles in comparison to teaching your own work?

Talk with Thomas McManus about his work as ballettmaster for William Forsythe. (Berlin, September 2013)

How does the perception of William Forsythe's work change when singular works are performed by other dance companies?

Talk with Thomas McManus about his work as ballettmaster for William Forsythe. (Berlin, September 2013)